We clean, organise and shape your dialogue so actors sound like they were always in the same room… even when they really, really weren’t.

• Sync, organise and tidy all production dialogue
• Noise, hum and click reduction without killing the performance
• Perspective and room-tone matching across cuts and episodes
• ADR planning, supervising and editing for missing or noisy lines
• Matching ADR to production so viewers don’t notice

If you can hear the edit, we go back and fix it. Obsessive? A little. Necessary? Absolutely.

Footsteps, cloth, props and those oddly specific sounds no library ever has.

We record foley to picture, building custom layers for every character and space:

• Footsteps that match costume, surface and attitude
• Cloth and movement that add life without drawing attention
• Props, grabs, falls and all the “what just broke?” moments
• Clean, well-labelled stems for maximum control in the mix

No random stock “shoe on generic floor” here - everything is tailored to your project.

We build the sonic world around your story - from quiet psychological tension to full-blown chaos.

• Bespoke atmospheres, textures and impacts
• Signature sounds for locations, tech, creatures or “we don’t know what it is yet”
• Design that supports story and pacing, not just volume
• Early collaboration with edit, picture and music to avoid last-minute sound panic

If you can describe it, we’ll find a way to make it sound like it actually exists.

When libraries don’t cut it, we go out and record the real thing.

• Location ambiences that match your actual set or story world
• Vehicles, crowds, machinery and environments
• Studio sessions for specific props, tools and one-off sounds
• Creation of dedicated show/feature sound libraries for future use

Real recordings = less fighting in the mix, more authenticity on screen.

This is where everything finally behaves together.

• 5.1 (and stereo) mixes for cinema, TV and streaming platforms
• Balancing dialogue, music, effects and foley into a coherent whole
• Dynamic when it should be, controlled when it must be
• Fold-downs, alternative versions and TV-safe passes

We work in calibrated rooms so your mix holds up from cinema screens to slightly abused living-room soundbars.

At the end, you don’t just need a great mix – you need files that actually pass QC.

We prepare and deliver:

• 5.1 and stereo printmasters
• Fully filled M&E (for international versions and dubbing)
• Stems (DX, FX, MX, Foley, ADR, etc.)
• Platform/broadcaster-specific exports (streamers, TV, theatrical)
• Loudness-compliant mixes (EBU R128, ATSC A/85, etc.)
• Clear track sheets and documentation for sales, distribution and localisation

In short: you get a finished soundtrack that sounds good, travels well, and doesn’t trigger angry emails from delivery tech teams.